For the first time since the disbandment of Oingo Boingo, he was writing uncommissioned songs, and they were striking hard. There was no unanimous praise – PopMatters’ Chris Conaton found the whole affair exhausting – but the composer had made his mark. He had traded any trace of Oingo Boingo in his sound for Peter Murphy, combining borderline-metal guitars with theatrical glam.Ĭritically speaking, Big Mess had struck quite a nerve. Sixteen more songs tumbled out, giving us a dark pop album overflowing with enough sarcasm and cynicism to give Batman pause. Since we all know what happened in 2020, Elfman used the extra time to write more songs in the same vein as “Sorry” and “Happy”. Leading up to the 2020 Coachella festival that never happened, Elfman had assembled a band to help him premiere two new songs, “Sorry” and “Happy”. A former member of Oingo Boingo, Elfman has spent decades composing music for films and TV shows such as The Simpsons and many different Tim Burton productions, including Batman and Beetlejuice. If you are unfamiliar with Big Mess, it’s the Danny Elfman album that took many by surprise. If you have trouble swallowing IDM-laced electronica, industrial, and darkwave variations of a set of Danny Elfman songs that were mighty confrontational in the first place, then the conventional wisdom of remix albums will hold. If you think a musically diverse double album bests anything that Big Mess ever had to offer in the first place, then it does. Does that make it better? That’s not an easy question to answer. ![]() achieves so much more than Big Mess does. With 21 songs spanning an hour-and-a-half, Bigger. Messier.īy surrendering creative control to a list of artists he trusts, Elfman has thrown the doors wide open to a wild variety of outcomes. Sometimes these remix collections offer a unique peek at an alternate dimension, and other times they make you wish you were listening to the original thing. Too often, remix albums are little more than half-hearted attempts to round up some exposure for DJs and keep the primary artist’s name in rotation to keep fans happy. Here, we have a remix album based on Danny Elfman‘s bone-crushingly aggressive 2021 album Big Mess that creates an impact comparable to its parent album. Contains elements from "School 4 Robots" and "Intro" from The Way Out Record "Army Ants in Your Pants" from Captain Entropy "Intro", "A Little Discussion" and "A Stuffy Story" from Dance Sing and Listen and "Fireworks" from Dance Sing and Listen Again.Bigger.Programmed and mixed by Masayuki Kumahara (Think Sync Integral).Produced by Tomoyuki Tanaka (Fantastic Plastic Machine).Beck appears courtesy of Interscope Records.Mixed by Josh at Ton Recording Studio, Echo Park.Additional production by Erik Richards at Somis Sounds Studios.Produced, arranged and recorded by Ross Harris at Burning Trailer Studios.Ross Harris: keyboards, percussion, electric banjo and effects.Erik Richards: piano, bass, sitar and drums."Operation Big Beat" - From Bubblegum to SkyĪll recordings copyright 2005 Eenie Meenie Records except track 1 (copyright 2004 Interscope Records) and track 7 (copyright 2004 EELS)."Queen of Verlane" - The High Water Marks feat. ![]()
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